A Shapeless Voice – A Short Story

I missed Snippet Monday yesterday. Yeah, yeah. Go ahead and yell at me. I’ll send my battalion of children off to attack you (though they’ll most likely just ask for snacks and want you to watch My Little Pony with them.)

Instead, I bring you a short story (quite short, only a tad over 1200 words) from the world of The Half Killed, more specifically, a look into Dorothea Hawes’ life before the events of The Half Killed.

So without further ado (because really, I need to get started on dinner and herd the children inside for French Toast and bacon) here is A Shapeless Voice. Enjoy!

*** A Shapeless Voice

The matron’s woolen dress smelled of perpetual damp, the fumes growing stronger, transforming into a miasma that dulled the senses and brought out a headache when she stood quite near the fire or any other source of heat. The heavy skirt, darkened with dirt near the hem, swished across the scrubbed wooden floor, catching on the edges of threadbare rugs, or knocking the occasional chair off balance.

But it was when she stood over your shoulder, the rough weave of the wool scratching at your arm, that you could think of nothing but brushing it off as you would an irritating insect. Of course, you could not move as you wished, and so you remained still, with the old woman breathing down your neck, her bones creaking in time with the slow, steady cadence of your words.

And when you faltered, she only struck your back with the flat of her hand, your spine straightening, sometimes arching away from her touch. It was never a forceful hit, nothing meant to cause you considerable pain, but simply a reminder that she was there, behind you, beside you, watching, listening to the word of God as recited by your tongue. It became clear, quite soon after your arrival, that she never touched you but to hit you, that this same quirk of her personality was followed through with her treatment of all the other girls. And there were so many of them now, more than enough girls to fill every bed, crammed onto the tiny mattresses in pairs, so that you fell asleep every night to the sounds of heartbeats other than your own as your thin legs fought for a share of the blanket.

As soon as you finished with your turn, the book passed on to the next girl, and then the next, until the entire lesson had been read. One of the other matrons spoke up then, ordering the lot of you to the rooms at the top of the house, and the lights were extinguished behind you, darkness filling your wake as the footsteps of fifty girls stamped up the narrow staircase to the dormitories.

There was some light from the moon, enough to cast shadows on the wall as you stepped out of your dress and took care to hang it on the peg beside your bed. Your shift was scant protection against the cold, and you shivered as you clambered into bed, the stiff fabric sliding up your legs no matter how much you tried to keep it pulled down. The blanket you tugged up to your chin, then over your mouth, just high enough so you wouldn’t have to see the pale cloud of vapor escaping from your mouth on every exhalation.

One by one, the girls around you succumbed to sleep. Better to sleep than suffer through the cold. You were one of the few still with your own bed, and so there was no other body’s warmth to calm the trembling that shook your bones. You wished for sleep to come to you, but it never did, leastways not until the pale, sickly light of dawn brightened the tall, greasy windows. Light, then. A few minutes of rest were what you found before the bells began their ringing, another day called to life with the sound of shuffling feet, of coughings, whisperings, scratchings, all as faces and necks were scrubbed, as the previous day’s dresses were donned, as the fifty pairs of feet tramped along the corridors and down the stairs again to breakfast.

But the sleep itself was not what frightened you. No, no. It was the dreams, the visions that flashed before your eyes, always so close, yet always seemingly just beyond your reach. And the voices… the voices were louder then, because in rest you did not possess the power to fight against them, to shut them out. And knowing this, they taunted you, telling you things you never wished to know.

And come morning, every morning, when the ringing of the bells pushed that other less melodious ringing of sound from your head, there was only more exhaustion than the night before. Though you made every attempt to disguise it, still the other girls inquired if you were well. But you told them there was no reason to worry, and so you washed your face, and braided your hair, pinning it close to your head before covering it with the itchy white cap.

Another day of lessons then, of basic reading and copywork, all of it followed by hours of sewing. Or, in your case, because your stitches had never been fine, of untangling bits of thread and yarn for the others to use. The work was dull, numbing to both body and mind, and you sat with your eyes narrowed, back bent over your task until the light from the windows dimmed. A few candles would be lit, though you still had to bring the work quite near to your face. By the time the call for the evening meal came, your eyes were narrowed to slits, the red reaching in from the corners, stinging until you wiped the tears away with the back of your hand.

Night came again, overtaking you before you were aware of it. The bells rang, and you fell into step behind the other girls. Another night, your dress hanging on the peg, the exhaustion sweeping over and around you until the dreams pressed in again. The voices found you, attacking with greater precision, never pushing at the same place twice in their search for a point of greater weakness.

And when they found it, they slipped inside, all stealth and cunning. One voice in particular struck you with more familiarity than the others, yet it spoke softly to you – so softly – lulling you into a deeper slumber, one that threatened to smother you with its offer of peace and comfort.

The screaming was not enough to wake you. Your throat was already sore from it, as though you had been crying out for some time without any knowledge of it. When you finally opened your eyes, you saw the other girls in the dormitory, all of them crowding away from you, pressed against their own beds, against the walls, a few of them running out the door, falling over each other in their haste to escape.

One of the matrons appeared then, a younger woman with dark hair unbound, still in her nightdress. You remembered the expression on her face, the horror that flashed in her eyes. Then, you noticed it. The placement of the other beds and furniture in the room, all of it shoved far away from your own, as if they’d been swept towards the walls by a great hand. Only your bed, you recalled, sat untouched in its original position.

The matron staggered forward, her hands reaching out for your shoulders, gripping them, shaking shaking shaking until the screaming stopped. You gasped for breath, realizing then how close you were to fainting from lack of air. Before you could blink, before you could form a single word on the tip of your tongue, she struck you across the cheek, the wound stinging from the scrape of her bony knuckles.

A stupid girl, she called you. A monster. And as she spoke, the soft familiar voice echoed the same thought in your ear. Only you were more inclined to believe him above all others.



Snippet Monday: The Death Within

Busy, busy, busy. This is the life I lead. But we seem to have tailored the daily homeschooling down to about three hours, finishing by lunch, and then a flurry of chores and other things give me leave to write while the youngest naps in the mid-afternoon.

The last two weeks I’ve shared bits of Dust and Silver, my paranormal historical mystery, but today I’m jumping over to an excerpt from The Death Within, the sequel to my book The Half Killed.

In this story, there is an illness that is infecting people in London, one that kills them in a horrible manner. Dorothea Hawes connects one of the victims to a local temperance society, and so attends a meeting in order to see if there is anything of importance to be discovered, or if the connection is merely coincidence. 800px-Accueil_scribe


“Pardon me, but I do not believe we have yet been introduced?”

Mrs. Newton is taller than I imagined, my original impression of her height taking into account the small stage on which she stood. But even without the aid of a platform, she stands at least a head above me. On top of that head, held to her hair with a jet-tipped pin, she wears a simple hat, adorned with only a few black silk roses tucked away in tight curls of lace.

“Miss Hawes,” I say, and hold out my hand. The other hand I slip behind my back, my handkerchief and its plunder held well out of sight.

She takes my fingers and shakes them gently, as if one of us will shatter should she attempt a more forceful maneuver. “Miss Hawes, is it?” Her fair eyebrows pinch together, then pull apart as her forehead clears and a smile pushes her cheekbones out and upwards. “Miss Dorothea Hawes? Am I correct?”

I must admit, I am stunned that she knows who I am. I am far from claiming myself as a celebrated personage, and what fame I did have when I was younger has long since dissipated, even before the loss of what gifts had plagued me. But her hand drops quickly away from my own, her fingers working inside her gloves like one brushing a few particles of dust from the tips of them.

“Yes.” A rough sound drags itself out of the back of my throat, the word sticking there before I cough behind my hand and say it again. “Yes, though I am not what I once was. I am reformed, you might say.”

“We are more enlightened now, I think. Spiritualism, seeking to commune with those departed from us…” Her lips nearly disappear between her teeth. “A perilous return to the superstitions of the Dark Ages. We are better than that. Such great scientific discoveries of the last few years have brought about a new age, don’t you think?”

“A renaissance, you mean?” I glance towards the nearest window, where the sky darkens over a city hunkered down beneath a drifting fog of smoke and sleet and the discolored fumes spewed out from the various factories and mills gathered near the river. Since the last intellectual rebirth swept across Europe, has anything about London really altered? If my history has not failed me, it was a fire and not science that brought about any change to that sea of buildings, stretching towards the horizon.

Mrs. Newton smiles, her gaze dipping down in what appears to be an affectation of shyness. Or perhaps I am being too harsh, though the lack of that smile in her eyes when she again raises her head leads me to cling to my original assumption. “And what else? The poverty, the filth, the drink and vice that infect these streets… I fear we can descend no further, Miss Hawes.”

Even lacking my ability to delve into her thoughts, to trawl through the sins of those assembled around me, snacking on their edibles while they stir cream and sugar into their tea, I wonder at the gall of this woman to make such an assertion. In all of mankind’s history, and here, at this moment, we have only now fallen to the nadir of our development? But I pull my mouth tight, an expression one could almost mistake for a smile as artificial as Mrs. Newton’s. If only I could touch on the fringes of whatever cogitations are currently spinning around beneath that silk-flowered hat, but I push the desire away before it can lead me in a less healthful direction.

“But you believe we have begun to rise again?” I pose the question easily enough, giving them the tone of being the first words to leap into my head. The truth is that Mrs. Newton’s manner is rather open, considering that this is our first encounter with one another. If her wish is to win me over as a new recruit to her cause, I wonder at her willingness to delve so quickly into subjects that would make the typical London housewife curl her lip in offense.

“Do you not agree?” She steeples her fingers in front of her, taking on a pose I would expect from one standing to have their likeness painted. “You yourself have already left the foolishness of Spiritualism behind. There are no great mysteries that cannot be solved without the dedication of great intellectual minds and the tools they yield. We will conquer all of the scourges that have plagued humanity, from illness to war…” She spreads her hands apart, leaving the rest of her statement open.

“Perhaps even death itself?” I suggest, still managing to keep my voice light.

A small laugh escapes from the back of her throat. “Oh, I’m not sure we’ll press matters that far. But with the advances we’ve seen these last few decades, I would not rule out anything, Miss Hawes.”


Snippet Monday (belated): Dust and Silver

I apologize for the lateness of this post, but my reasons are good: I was caught up untangling some plot messes yesterday, forgot to write up this post, and ta-da! It’s suddenly Tuesday and whoops.

So, this week, I bring you another excerpt from Dust and Silver. In this scene, Lady Drummond arrives at a meeting with several others, to discuss a recent string of murders that has occurred in London…female_angel_praca_dos_restauradores_2


“Another one?” I pose the question to whichever of them decides to provide me with an answer. Mr. Albert Goring, the man at the table, is the first to reply.

“That makes three now. A prostitute, a kitchen maid, and now the wife of a banker.”

I scan through a few more lines, my eyes narrowing as I attempt to make out the notes, apparently written in some haste. “Hmm, seems to be moving up steadily along the rungs of society. And there is nothing in common other than the manner of their deaths?”

Mitchell sniffs and lets the window blind fall back into place. When he turns towards us, his dark eyebrows are pinched together, the creases between them the only lines on an otherwise smooth, ageless face. “The head nearly chewed off. Hell, this one was barely held to the body by more than a scrap of sinew.” He comes up behind Goring, reaching over him to shuffle through a few of the papers until he finds what he wants: A photograph, one that he takes the trouble to walk around the length of table in order to bring to my side.

“No,” I say, as my gaze falls on the image. “Not a clean wound at all.”

I try not to imagine how much worse the scene must have appeared to the naked eye. Rendered in black and white, a majority of the blood is reduced to mere mottled shadow, or stains that could be explained away as something – anything – else. But the position of the woman’s head cannot be interpreted as a play of light and shadow or a simple photography trick. There it lies, against her shoulder, the thick, wet ropes of her dark hair spread out around her, in a grotesque simulation of a crown or the rays of the sun.

There is no elegance to the injury. A knife or even the swift slice of an axe would have left some line of the woman’s throat intact. But this is a nothing short of a mess. Flesh that appears to have been gnawed on, torn apart, the skin hanging ragged around the still-gleaming white and visible vertebrae of her spine. The rest of her remains untouched, and I wonder at how so much violence could be inflicted on a single part of her body, and nowhere else.

“What was her name?”

“Mrs. Lillian Butler,” Goring tells me. “Married less than a year. The police, of course, have their eye on the husband. But he wasn’t even in the country when the last murder occured. They were on their wedding journey, in Paris at the time.”

I push the photograph away from me, face-down on the tabletop. “So we have three deaths over the span of a year—”

“Fourteen months.”

I glance at Mitchell, who has resumed his place by the window.

“Fourteen months,” I amend. “Three women, vastly different backgrounds, and there’s nothing connecting the location of their deaths?”

Goring clears his throat. “Mrs. Butler was murdered in her home. In Leadenhall Street.”

“And the ladies’ maid, Miss Docking, was in St. James’ Street. Though she wasn’t killed there.” Instead, her body had been found in the mews behind the townhouse in which she lived and worked, the straw of an empty horse’s stall soaked in her blood. “And Miss Patton—”

“The whore,” Mitchell interrupts. I refuse to even flick my eyes in his general direction.

“—was discovered in an alley off Chancery Lane. And there is nothing else? Place of birth? Even where their parents, their grandparents hailed from?”

Goring shakes his head. “Nothing but the, uh…” He waves a hand in front of his collar, the vicious wounds shared by three separate victims recreated with a waggle of wrinkled fingers.

I lean back in my chair, drum my fingers on the edge of the table. “So we are precisely where we were before, when Miss Docking was killed.”


Snippet Monday: Dust and Silver

I’ve given myself a deadline to have two books finished before the new baby arrives in June (possibly three if I don’t rest on my laurels) and so to help with that, I’m going to share an excerpt from one of those works-in-progress every Monday, just to help keep me moving forward. female_angel_praca_dos_restauradores_2

Today’s snippet is from Dust and Silver, a historical paranormal set in the Victorian era. There will be werewolves, witches, secret societies, and so very much more! For some context, we have Lady Drummond and Mr. Muir working – grudgingly – together to solve a series of extraordinarily violent murders.



The knife is out before he’s finished speaking the final syllable of my name. I find his throat in the darkness, or where his throat should be beneath layers of collar and silk necktie. That he doesn’t flinch deflates some of my confidence, though he does raise a gloved hand, palm towards me, fingers crooked in a relaxed manner.

“What the hell are you doing here?”

Not until the words are out do I realize it’s the second time I’ve asked this question of him within the last six hours.

“You really should see about hiring a new driver.” Mr. Muir’s tone is purely conversational, not a quaver in his voice despite the pressure of the silver edged blade nestled against the underside of his jaw. “I’m sure you’re rather loyal to Melchett after all these years, but the poor man hardly blinked when I let myself into your vehicle.”

“He let you in?”

“Perhaps you need to question his loyalty to you. To have a servant in your employ who will let any ruffian in off the street…”

I apply more pressure to the knife, until I see the dark blot of blood appear on his skin. “Are you checking up on me? Are you my nurse, come to see that I’ve had my porridge and tonic and am tucked safe in bed for the night?”

He raises his chin slightly, so that the small bead of blood trickles down towards his collar. “I’d be more worried if that’s all you got up to at night.”

I pull the weapon back, snapping the blade into its engraved handle. It is not until the sharpened edge is put away and out of sight that Mr. Muir visibly relaxes – a breath slipping out of him, a small slump to his shoulders –  no matter how casual he managed to appear as I drew that single thread of blood from his throat.

“What fool notion made you come all the way back to London when there’s someone going about ripping apart young women’s necks, hmm?” The knife again in my sleeve, I plant my hands on the tops of my thighs and lean against the seat. I want to close my eyes and tip my head back, but I cannot look away from my fellow passenger, at least not while he is in such close proximity. “You should have remained safely tucked away in Venice. No one would have any reason to suspect you then.”

“So they do suspect me?” Is that a whisper of pride underlying his words?

“Not for the first two, at least. But this business with Mrs. Butler…” I dig my fingers into my legs, pushing at the layers of skirt and petticoats and flesh underneath until the urge to lash out again recedes. “They want to question you, as they call it.”

He scoffs. “Want to see my pelt tacked to the wall, is what you mean.”

“They will not relent. Even if they do manage to lay their hands on the true culprit.”

Mr. Muir puts his own head back, allowing me a view of his throat and jaw, stubbled with dark hair and the stain of the injury I gave him. “They’re beyond their levels of comprehension with this case. They’ll be responsible for the deaths of another dozen victims before they understand that a bit of bigotry and brute force will not be enough to give them their victory.”

The seat creaks beneath me as I lean forward, hands sliding down to wrap around my knees. “You know something. What is it?”

“Not enough,” he mutters to the roof of the carriage. And then he shakes his head. “Creatore di mostro.”

The Italian clashes with his accent, and it takes me a moment to decipher the words from their original language. “Monster creator?”

“And there’s the rub.” He regards me in the low light of the carriage; eyes, hair, hat all blurring into the smudge of shadows behind him. “Find one of these killers, and there’ll most likely already be another to take its place.”


And stay tuned for next week’s excerpt!

Review: The Wolf of Oren-yaro by K.S. Villoso


Born under the crumbling towers of Oren-yaro, Queen Talyien’s life unfolded like a storybook. The shining jewel and legacy of the bloody War of the Wolves that nearly tore her nation apart, her marriage to Rayyel, the son of her father’s rival, spoke of peaceful days to come. 

But all storybooks must end. Rayyel’s sudden departure before their reign began created fractures that left the land as divided as ever. 

Years later, Talyien receives a message from Rayyel, urging her to meet with him across the sea. An assassination attempt interrupts Talyien’s quest for reconciliation, sending the queen struggling in a strange and dangerous land. With betrayals in every twist and turn, she is forced to enlist the help of a con-artist to survive and save her husband from the clutches of those who would seek to use him for their gain…if he would let her.


I was fortunate enough to receive an ARC of The Wolf of Oren-yaro from the author, so I read it once in the fall of 2017, and then read it again earlier this month to refresh my memory before typing up this review in time for the book’s release.

If you’re unfamiliar with Villoso’s previous works (or even if you have read some of her earlier books, like Birthplace or The Agartes Epilogues) I will begin by saying that her stories are primarily character-driven. Her worldbuilding is excellent, so much so that instead of laying it out for you like a blueprint, she releases it to you slowly, through the eyes and thoughts of her characters, until you suddenly have an entire town, a country, a continent laid out before you without having realized it.

The Wolf of Oren-yaro focuses on Talyien, a Queen meant to co-rule with her husband Rayyel in a union devised from their childhood in order to put an end to fighting that has torn through their lands. Unfortunately, Rayyel is gone, leaving Talyien to rule a country that doesn’t want to be ruled. Or at least not by her.

We come upon Talyien several years into this task. Her warlords are rustling with rebellion. The other neighboring lands give her little to no respect. And if she’s not careful, she and her son might be assassinated and replaced by someone… anyone willing to make such a bold move. In order to restore some semblance of peace, Talyien attempts to find Rayyel and bring him back to help her rule. But it is when the meeting goes awry that Talyien realizes there is no one she can trust, and the bubble of royalty in which she’s been raised has not fully prepared her to fight for her throne.

We see all of this through Talyien’s eyes. Told in first person, we’re never left in doubt of her feelings, her opinion of the characters revolving around her. From con artists to mad rulers, she must use all of her wits, her persistence, her courage to keep from falling prey to those willing to use her as a tool, or simply get her out of the way.

Villoso’s main strength, as already mentioned, is in her characters. But this is backed up by strong pacing, lovely prose, and underlying themes of a daughter’s feelings of inadequacy in her father’s shadow, all of which are woven through every page until  it works into a beautiful tapestry that easily juggles court intrigue and politics as well.

I recommend The Wolf of Oren-Yaro to people who like or are looking for first-person narratives, female protagonists, non-European fantasy settings, female authors, and stories that might break your heart, just a little bit.


Buy it on Amazon now!


Roll Call!

I haven’t updated here for quite some time. There are reasons for that. The 6yo daughter went through several months of treatment for Lyme Disease. I discovered I was pregnant, then immediately dove into 2 1/2 months of awful morning sickness. Then the holidays. Now the kids are passing a bug around from one to the other like a demented game of Hot Potato.

But! I’ve been writing. The sequel (hopefully standalone-ish) novella to The Half Killed is well underway, and has a title! The Death Within should have a May release, and I’ll be sure to share cover art and all of those other goodies once they’re finished.

I’ve also jumped back into writing some shorter pieces of fiction. This one that I’m posting today is… different. A bit more sci-fi, I think. It wants to spiral out into something larger in my head, but for the moment, it’s just a snippet of a story/chapter, with a touch of humor (well, *I* thought it was funny while writing it way too late at night) and some new characters. Maybe I’ll spend some more time with them in the future. But for now, meet Dave. DAVE



The sign was in need of a fresh coat of paint.

It wasn’t much of a sign, really. It was wood, and it was vaguely square, and some claimed to see a few indistinct words scrawled across it, but regardless of the various arguments on what was necessary for a sign to be a sign, no one could disagree that this one was due for a bit of freshening up.

The sign hung to the right of a door – a typical door: knob, window, small strip of tape where the glass had cracked – and was meant to direct potential customers through the door and into the shop within. It was not a wholly uncommon occurrence for people to take one look at the sign, and the door, and the entire street before turning around and deciding that their business wasn’t nearly important as they’d originally thought.

Randall Smith paid no attention to the street, the sign, or the door, and the last one only for a  brief moment when the keys from his pocket made an appearance to slide into the lock. The door threatened to stick in its frame, but again, only for a moment. A swift kick to the warped panel of wood, a muttered curse, and he was inside.

The darkness was expected. Randall didn’t wait for his eyes to adjust before he returned the keys to his pocket and strode into the room. The shades were still down, and the square that might have been a window if he bothered to touch it with any kind of cleanser or cloth let in only enough light for him to see his hand in front of his face. He didn’t notice the other eyes that stared at him, blank and lifeless. Or the disembodied limbs crammed onto the already full shelves. One set of fingers twitched, and then there was a hum. Another twitch, and behind the counter, a blank screen lit up with a deep blue light.

“Welcome to Obsolete Robotic Services. If this is your first visit to our location, please step up to the counter, state your name and the nature of your repair.”

Continue reading “Roll Call!”

An Unpracticed Heart: My Favorite Scene

So, I love my books. Even the parts of them that made me tear out my hair in frustration. And in each one, there is a scene, or a few scenes, that I love more than the rest. Of course, that doesn’t mean it was the easiest scene to write. In fact, it’s often the case that the most difficult scenes to create earn a higher place in my esteem.

This particular scene from An Unpracticed Heart takes place a little further into the story, and it is one that did make me tear my hair out (and consume a large amount of chocolate), and yet here it is, a few paragraphs that I think show the heart of this story.

Enjoy. comp_3

“This is pleasant,” Charlotte remarked, then bit her tongue at the banal words. There was so much she wished to say, so much she wasn’t certain she should risk saying, and she could not trust just how much her stepmother might be capable of overhearing. When Lord Cowden made no accompanying comment, she took to busying herself with the arrangement of her skirts as she crossed her ankles beneath her. She looked over at his right leg, close enough that she could simply extend her arm and place her hand on his thigh if she wished. She swallowed hard at the traitorous thought, and curled her hand into a fist before she could give in and dance her gloved fingers across his knee.

“You’re still a terrible liar, you know.” He didn’t look at her, instead keeping his gaze directed at some point beyond the railing. He cleared his throat as he adjusted his position, his shoulders at once slumping forward before pushing back again as if he could not find a way to be comfortable and practice decent posture at the same time. “Your stepmother does not want you here,” he continued to grouse. “And I tricked her into allowing you to come. Ballard is going to talk until her ears revolt and attempt escape from her head, and I have to sit here and pretend that I’m rather indifferent to your company, all so that she won’t suspect there is something between us.”

She turned to look at him. “Is there something between us?”

His lips parted as he drew in a deep breath, but a full minute passed before he ventured to speak again. “I don’t know what to do with you. One minute, and I think I want nothing more than for you to be in my bed, as my wife. And the next… I wonder if my most magnanimous act would be to leave you and never seek you out again.”

Charlotte twisted her hands in her skirt, careless of how wrinkled the silk would be by evening’s end. Her heart had thudded in her chest at his mention of marriage, a possibility she had discounted for herself years before. And there he sat, dangling the words before her like some kind of matrimonial carrot, and she wondered if she would take to buffeting him about the head with her reticule should he prove to be speaking in jest. “There is something you forget,” she said, the words spoken on a rush of air that hardly stirred her voice to life. “None of it is entirely your choice to make. You may say that you would not be a good husband, continue to cling to some absurd notion that I deserve better than what you can give me. But in the end, shouldn’t I have some say in the matter?”

He looked at her, a stricken expression on his face. She wanted to shake him, then. To grasp him by the shoulders and make him see that all was not lost, no matter that his darkest thoughts had taken to convincing him otherwise. Instead, she leaned forward slightly as the first performers appeared on the stage, as their voices carried upwards and filled her senses with a music unlike anything she had heard before.

Charlotte kept her attention on the stage. In front of her, Lady Alvord had begun to sneak surreptitious glances over her shoulder towards the two of them, or at Lord Cowden in particular. Mr. Ballard continued to chatter away, always snagging his companion’s interest before she could fully swivel around in her seat and attempt to inquire as to what they sat whispering about.

“You don’t understand,” Lord Cowden said several minutes later, his voice closer to her ear than she had anticipated. He had slid forward in his seat as well, most likely under the guise of wanting to see the singers as they paraded from one side of the stage to the other. “I would not be a good husband for you. I would bring you nothing but bitterness, and you would resent me for that.”

The song ended on a note that set her teeth on edge. The audience, however, broke into thunderous applause. Charlotte smiled and clapped along with everyone else, the explosion of sound loud enough that she could turn to Lord Cowden and speak without fear of being overheard. “Then I would have to be a good enough wife for the both of us.”

Pre-order An Unpracticed Heart on Amazon! 100% of pre-order royalties will be donated to the Perry County Food Bank in New Bloomfield, Pennsylvania.